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History of JuJutsu
Under the Feudal System of Japan, several military arts
flourished among the samurai class. Examples of these arts are archery, fencing,
horsemanship, the use of spears, the Katana - sword of the Samurai - and other
weapons. All of these forms were more or less familiar to the people of most
European nations. Virtually all of the martial arts have been practiced in the
Western World with an excellence equal to the Japanese, although their forms
and methods were not quite the same as those practiced in Japan. The skill of gaining victory by
yielding to the opponent's strength appears to be an art peculiar to Japan: no similar art form has ever been
known or practiced in any European country.
Although the origin of Jujutsu is not clear, and no fixed
date of its first appearance can be ascertained, there is no doubt that it is a
purely Japanese art. Further, it has not been derived from ancient Chinese
Martial Arts as some scholars of the martial arts have proposed. It has been a
common belief of various researchers that a Chinese priest named Chin Genpin
brought the art of Kempo, "kicking and striking", to Japan around
1659. In 1659, Chin Genpin became a naturalized Japanese subject and died in
1671.
While engaged in the practice of Jujutsu at the Kokushij Temple in Tokyo, he taught three ronin (out of work samurai) named
Fukuno, Isogai, and Miura. After extensive development of their skills, they
founded three different Jujutsu Ryu independently of one another. It is not
possible that Chin Genpin first introduced Jujutsu into Japan, because Chinese Kempo - which may
have been brought over by him - is quite different from Japanese Jujutsu, and
because some arts resembling Jujutsu can be traced back to before the time of
Chin Genpin in Japan.
Evidence that Jujutsu prevailed in Japan in ancient times is indicated by an
incident, which occurred in 24 B. C., when the Emperor Suinin ordered two
strong men named Sukune and Kuehaya to wrestle in his presence. This struggle
to test the strength and courage of the two ancient giants consisted mainly of
kicking, hitting, and gouging with Sukune gaining advantage of his opponent by
breaking his ribs, after which he "trampled" upon his loins and back
until Kuehaya was fatally injured. Although this incident is generally cited as
being the origin of wrestling in Japan, it would seem that it was actually more in the
nature of Jujutsu in view of the fact that Kuehaya was kicked and gouged to
death.
Sumo wrestling is the national sport of Japan, but it is not the only
nationalistic sport derived from the ancient court wrestling of the Nara emperors. When wrestling was banned
by edict in 1175 A. D., an atmosphere fostering creative development of all
types of hand -to-hand fighting arts was started under the influence of the
military. This developmental period lasted several centuries and continued even
after the Portuguese explorers arrived in 1543. Ultimately, no less than 725
official documented systems of Jujutsu were developed all of which concentrated
on situations in which no "major" weapons were involved. All
together, these systems were called Jujutsu.
As it is not possible to discuss all of the different
branches (Ryu) of Jujutsu, this writing will mention a few of those, which are
generally considered to the most significant developments in the art. The
oldest Jujutsu movement is the Takenouchi-Ryu, purported to have been
originated by Takenouchi Hisamori, a native of Sakushu, in the year of 1532.
This branch taught Kogusoku, or the art of seizing, which is somewhat different
from the pure art of Jujutsu.
The Takenouchi-Ryu may be regarded as the primal system for
the teaching of arts similar to Jujutsu. Fukuno Schichiroemon of Temba
originated a second system called the Kito-Ryu. This Ryu `appeared in the
middle of the seventeenth century. Prominence of the "Art of
Throwing" (Nage-waza) and "Form Practice (Kata) gave the Kito-Ryu
great prestige and popularity. In close connection with this branch was a third
branch called the Jikishin-Ryu, whose founder was Terada Kanemon, a native of
Unsho, and the contemporary of Fukono. Both Fukuno and Terada lived about the
middle of the seventeenth century in somewhat close relationship to each other.
They established two separate systems of Jujutsu some years before the time of
Chin Genpin. These two systems appear to be the oldest of all the varied
systems of Jujutsu.
Inugami Nagakatsu of Omi founded the Kiushin-Ryu. The date
of its founding is uncertain, and there are some reasons to believe that this
branch was derived from the Kito-Ryu. Inugami Genpin, the grandson of the
founder, attained such eminence through his skill at the Kiushin-Ryu that he came
to be regarded as the founder of the school. The Sakiguchi-Ryu, Founded by
Shinbukawa Bangoro, are two other well-known Ryu of Jujutsu. The Yoshin-Ryu, or
the Miura-Ryu, and the Tenjin-Ryu were also prominent systems.
The Yoshin system, founded by Yoshin Miura, taught that many
illnesses were the result of a disproportionate use of mind and body. Miura
devised several Jujutsu methods involving "arresting devices". After
a lengthy study with two of his disciples, he developed fifty-one arresting
methods, His students, following his death, established systems of their own,
further expanding his teachings.
The Tenjin-Shinyo-Ryu was founded by Matayemon Iso, a
student of the Yoshin-Ryu. After several years of studying, Iso set out to tour
the country and, at the same time, test his ability. Every where he traveled he
competed with renowned masters in Jujutsu tournaments. His proficiency was such
that he never lost a contest.
The branches of Jujutsu grew during the feudal period,
particularly during the time of Iyemitsu, the third and ablest of the Tokugawa
Shogun, under whose government feudalism was completely established in Japan. The art of Jujutsu continued in
various provinces in Japan
and today Jujutsu can be found in many forms throughout the world.
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